For this week’s Triple Take Tuesday, I’m diving into three captivating reads from a trio of talented authors: Lauren Roberts, Alice Hoffman, and Jason Rekulak. Each of their books brought something unique to the table, whether it was Roberts' deep dive into superhero struggles in Powerful, Hoffmann's enchanting blend of magic and family in The Book of Magic, or Rekulak’s intriguing exploration of love and secrets in The Last One at the Wedding. Join me as I share my thoughts on these diverse novels that range from thrilling to heartwarming, each leaving a lasting impression in its own way.
Powerful
Lauren Roberts
★★★★☆
Lauren Roberts' Powerful offers an electrifying companion tale to the New York Times bestseller Powerless, shining a spotlight on fan-favorite Adena as she navigates the perilous streets of Loot. Adena's resilience and fierce loyalty drive the story as she grapples with Paedyn's absence and forms a compelling bond with the enigmatic Mak. The gritty, high-stakes backdrop of Loot is vividly rendered, pulling readers into a world of danger, betrayal, and forbidden connections. While some twists are foreseeable, the dynamic between Adena and Mak adds depth and emotional complexity, making this a gripping read for fans of intense, character-driven fantasy.
The Book of Magic
Alice Hoffman
★★★☆☆
Alice Hoffman’s The Book of Magic brings the Owens family saga to a bittersweet close, weaving together themes of love, loss, and the enduring power of family bonds. The lyrical prose and richly atmospheric settings are classic Hoffman, but the plot often feels weighed down by too many subplots and a predictable resolution. While long-time fans of the series may appreciate the continuation of the Owens’ story, newcomers might struggle to connect with the characters' histories. The novel’s charm lies in its evocative magic, but it occasionally falters under the weight of its ambition. A solid read, but not quite spellbinding.
The Last One at the Wedding
Jason Rekulak
★★★☆☆
Jason Rekulak's The Last One at the Wedding starts with an intriguing premise—a wedding weekend rife with secrets and drama—but struggles to deliver a compelling story. The plot feels overly convenient, with events unfolding in ways that seem contrived rather than natural, and predictable twists that fail to surprise. Adding to this is a cast of largely unlikable characters whose flaws are exaggerated to the point of making them difficult to empathize with. While Rekulak’s writing is engaging and the setting relatable, the forced drama and lack of character growth leave the story feeling flat. Ultimately, it’s an entertaining enough read for fans of interpersonal conflict but unlikely to leave a lasting impression.
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